It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.

There is one timeless way of building. It is a thousand years old, and the same today as it has ever been. The great traditional buildings of the past, the villages and tents and temples in which man feels at home, have always been made by people who were very close to the center of this way.

The structure of life I have described in buildings - the structure which I believe to be objective - is deeply and inextricably connected with the human person, and with the innermost nature of human feeling.

From a sequence of these individual patterns, whole buildings with the character of nature will form themselves within your thoughts, as easily as sentences.

People are deeply nourished by the process of creating wholeness.

Complexity is one of the great problems in environmental design.

To work our way towards a shared language once again, we must first learn how to discover patterns which are deep, and capable of generating life.