I just think, as writers, especially with a book that takes years to write, you sort of wake up every morning hoping and praying that you can make it work for the day.

I was obsessed with Agatha Christie in sixth grade.

It is a little out of touch to presume that someone wants to follow your every observation and insight over the course of hundreds of pages without any sort of payoff. That's why writing isn't a one-way street. You have to give something back: an interesting plot, a surprise, a laugh, a moment of tenderness, a mystery for the reader to piece together.

The Greeks really believed in history. They believed that the past had consequences and that you might be punished for the sins of your father. America, and particularly New York, runs on the idea that history doesn't matter. There is no history. There is only the never-ending present. You don't even have your family because you moved here to get away from them, so even that idea of personal history has been cut at the knees.

There is a value to moving more slowly through a story.

You sit at a fashion show in another country and you watch all of these paparazzi swarm around a celebrity, only they're a local celebrity, maybe a soap opera star, so you don't have any idea who they are, you just know they're famous to a bunch of stunned Italians. It's weird, because when you can't identify who a celebrity is, they can just look like overslicked stand-ins. That might sound awful, but what I mean is, when you think about most actresses, even in Hollywood, they really aren't that fascinating or glamorous in their own right once you strip away the flashbulbs.

When you create a fence, you keep people out, but you also limit your mobility.