Talking to all those great writers and artists for the magazine was a form of graduate school for me.

I definitely don't take any of intrusions in my private life personally. You learn how to have a sense of humor pretty quickly. I honestly don't keep up on it unless it's something that would hurt someone else. I can take care of myself, that's not the problem. But it's just not fair to bring anyone else into the picture.

Every time I try to write on vacation, I fail miserably.

You sit at a fashion show in another country and you watch all of these paparazzi swarm around a celebrity, only they're a local celebrity, maybe a soap opera star, so you don't have any idea who they are, you just know they're famous to a bunch of stunned Italians. It's weird, because when you can't identify who a celebrity is, they can just look like overslicked stand-ins. That might sound awful, but what I mean is, when you think about most actresses, even in Hollywood, they really aren't that fascinating or glamorous in their own right once you strip away the flashbulbs.

Now we're in an age of singles. It's actually always been more about singles for most of music history.

It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.

An album for me as a teenager in the '70s was a fully formed concept. It was a body of work from an artist I liked or trusted or who excited me. Maybe one of the songs is really poppy and you listen to it on the radio as a hit single and then more of the world is about to find out about this artist by buying the record.