I feel that I'm solid at description.

There is a value to moving more slowly through a story.

I just think, as writers, especially with a book that takes years to write, you sort of wake up every morning hoping and praying that you can make it work for the day.

I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.

For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.

The Greeks really believed in history. They believed that the past had consequences and that you might be punished for the sins of your father. America, and particularly New York, runs on the idea that history doesn't matter. There is no history. There is only the never-ending present. You don't even have your family because you moved here to get away from them, so even that idea of personal history has been cut at the knees.

I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.