The proselytisers for man-made global warming have long exercised a tight stranglehold over the contents of Wikipedia.

When future generations look back on the global-warming scare of the past 30 years, nothing will shock them more than the extent to which the official temperature records – on which the entire panic ultimately rested – were systematically “adjusted” to show the Earth as having warmed much more than the actual data justified.

The proselytisers for man-made global warming have long exercised a tight stranglehold over the contents of Wikipedia.

Anyone who thinks that wind factories are environmentally friendly should Google "Cefn Croes Photo Gallery", to see 100 chilling pictures showing how many miles of unspoiled Welsh countryside were disfigured to create the largest industrial site in Britain: all to "save" annually less than a quarter of the CO₂ emissions from a single jumbo jet.

The scientific evidence to support their belief that inhaling other people's smoke causes cancer simply does not exist.

The underlying purpose of all art is to create patterns of imagery which somehow convey a sense of life set in a framework of order ... all great art ... harmonises consciousness with the ego-transcending Self.

When I first began examining the global-warming scare, I found nothing more puzzling than the way officially approved scientists kept on being shown to have finagled their data, as in that ludicrous "hockey stick" graph, pretending to prove that the world had suddenly become much hotter than at any time in 1,000 years. Any theory needing to rely so consistently on fudging the evidence, I concluded, must be looked on not as science at all, but as simply a rather alarming case study in the aberrations of group psychology.