I grew up wanting to be a writer for theatre.

In my 20s, I was more cynical/despairing (even though I still wrote comically), but I often sent audiences home with rather dark last moments. After a while though, I don't want to send the audience home bummed out, or distressed ... I want to see what's hopeful. I'm not overly cheery all the time, and yet I'm not suicidal either. I do think people can make choices that make their lives happier.

Since I also act, sometimes I get over my resentment and commit to the pitch as an acting job.

On the one hand, I'm grateful to be hired and thrilled to be paid.

Here is the key to existence. Are you listening? Here is the key to existence; when I tell you this you will know how to run your lives. You will know if you have been living life to the full, and if you realize you haven't been, you will know immediately how to correct that state of affairs. As soon as I tell you the key to existence. Are you ready? Are you ready for me to tell you?... Always breathe. That's the basis of life, breathing. That's basically the basis. If you don't breathe, you die.

I thought if I can do something more playful and light like my play BEYOND THERAPY, it might be a money maker. I think one of the reasons BEYOND THERAPY has legs - it's been very successful for me around the country - is because it's a friendly play, rather sunny.

I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.