I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.

I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.

I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.

I think film and television are really a director's medium, whereas theatre is the actor's medium.

On The Others, very atmospheric and probably mysterious is how I would say it felt to be on the set. It felt just a little uneasy, the atmosphere that we were trying to capture.

Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.

We all need a firm sense of identity.