I had bags of energy as a kid.

Any horror element is as much psychological as special effects.

I went being unemployed for three years to being the lead in a British feature in the days when we only made two a year, 1990. It was ridiculous really.

I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.

Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.

The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are.

We like to think that our parents made a decision to bring us into the world.