I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.

I spent a lot of time in London when I was growing up and I've always picked up accents without even really meaning to. It used to get me into trouble as a child.

I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.

I'm married to the person I fell in love with.

People want me to be funny all the time. They think I'm being funny no matter what I say or do and that's not the case. I rarely joke unless I'm in front of a camera. It's not what I am in real life. It's what I do for a living.

The movies have a way of seeping out there over time. We don't put them in 2,000 theaters. It wouldn't work that way.

Comedy is like music. You have to know the key and you have to find players with good chops.