There was a gap of seven years between the first and second Dracula movies. In the second one as everybody knows, I didn't speak, because I said I couldn't say the lines.

I've seen many men die right in front of me - so many in fact that I've become almost hardened to it. Having seen the worst that human beings can do to each other, the results of torture, mutilation and seeing someone blown to pieces by a bomb, you develop a kind of shell. But you had to. You had to. Otherwise, we would never have won.

Acting as a profession came to me by chance: in 1946, after the war, I was having lunch with my cousin, who was the Italian ambassador, and he asked, 'What are you going to do now you're out of uniform?' I said, 'I'm pretty inventive, and I can imitate people,' and he said, 'Have you thought about being an actor?'

I associate heavy metal with fantasy because of the tremendous power that the music delivers.

I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.

I thought that people should know about the dangers of Satanism, and diabolism does exist - there's no question about it.

I dont want to sound gloomy, but, at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again.