People want to see something that shows them you can do what you say. That's the trick.

I'm taking a bit of a wait-and-see attitude towards 3D.

Film is the best way to capture an image and project that image. It just is, hands down.

Revenge is a particularly interesting concept, especially the notion of whether or not it exists outside of just an abstract idea.

To me, the most interesting approach to film noir is subjective. The genre is really all about not knowing what's going on around you, and that fear of the unknown. The only way to do that effectively is to really get into the maze, rather than look at the maze from above, so that's where I sort of come at it.

The problem with big films is they snowball very rapidly and you can never pull back. It's a pipeline that needs to be fed.

For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.