You musn't be afraid to dream a little bigger, darling.

Why do we Fall? So we can learn to pick ourselves back up.

Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.

A camera is a camera, a shot is a shot, how you tell the story is the main thing.

The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.

I think there are advantages to different scales of filmmaking. You wouldn't want to do just one thing.

The real truth of that is that much as you want to believe that it's you being on top of everything, you're actually relying massively on the people around you.