If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.

A truly great structure, one that is meant to stand the tests of time, never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature.

I want to paint Montreal as a rather fantastic city, which it was, because nobody knows today what it was like. And I'm one of the last survivors, or rapidly becoming one.

Here is Mike Wallace, who is visible to the public, and I have been watching him since the early '50s. Smoking up a storm and insulting his guests and being absolutely wonderfully evil and charming too.

I'm talking about when you're nearer the end of your life than the beginning. Now what do you think you think about then? The future? In the future I'm going to do this? Become that? What future? No. What you think is, 'How will I be regarded in the end?'

I'm too old-fashioned to use a computer. I'm too old-fashioned to use a quill.

I've been very fortunateit's just been an amazing piece of luck. I haven't had to suffer for my art but I've suffered enough inside to hopefully be called an artist.