Working with Julie Andrews is like getting hit over the head with a valentine.

I would rather not know about how one gets parts in movies these days.

I've been very fortunateit's just been an amazing piece of luck. I haven't had to suffer for my art but I've suffered enough inside to hopefully be called an artist.

A truly great structure, one that is meant to stand the tests of time, never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature.

Here is Mike Wallace, who is visible to the public, and I have been watching him since the early '50s. Smoking up a storm and insulting his guests and being absolutely wonderfully evil and charming too.

History remembers most what you did last.

I want to paint Montreal as a rather fantastic city, which it was, because nobody knows today what it was like. And I'm one of the last survivors, or rapidly becoming one.