Emotional power is maybe the most valuable thing that an actor can have.

Acting has to do with saying it as if you meant it, so for me the words are always very important. It's very important for me to know my lines, know them so well that I don't have to think about them.

It's very bizarre though when you get hired and then the director will say, "I know how this goes." And you're thinking, "Wait a minute, I thought that I was doing this" but basically what they really want, especially if they wrote it, is they want you to do it as they imagined it. It's virtually impossible.

If you're an actor, a hard thing is to stick around, to stay viable. I try to do that by taking the opportunity to do something different every once in awhile.

In the theater you rehearse in order to do the performance. And in the movies the rehearsal and the performance are kind of the same thing. You're figuring it out and hopefully the camera is pointed at you when you're doing it.

When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.

I think I'm getting a little bit of Alzheimer's. Just a little.