To be honest, I was never very ambitious. And I still am not.

I have this theory about words. There's a thousand ways to say "Pass the salt". It could mean, you know, "Can I have some salt?" or it could mean, "I love you.". It could mean, "I'm very annoyed with you". Really, the list could go on and on. Words are little bombs, and they have a lot of energy inside them.

When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop.

When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.

The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.

And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.

Obviously an actor draws on his own experience.