Of course they may have corrected it by now, but the original titles at the end of Annie Hall say "Christophe Vlaken." It was just inconceivable. These things are checked...I don't know what that was about. I'd never seen or heard of it. How they came up with the name Christophe Vlaken, it must've been a conspiracy. I did ask about it but nobody knew.

Also, I think there are huge reactions sometimes, which are also mysterious.

It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.

Obviously an actor draws on his own experience.

I don't carry lucky charms, but I believe in those things.

I grew up in music theater playing to the audience - singing and dancing and showing off. That's really my background. But the camera's different. I think I'm more at home on stage.

Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.