I don't play lovers. I wish I did. At least once I'd like to have a crack at one of those guys. A heartbreaker. Some people are born to it. I'm not.

The best thing for me is, when I'm not working, is to be at home and to have a script or two scripts is better, and to be just walking around the house and just thinking about the lines.

A good actor is like a racehorse or a Ferrari. If a cylinder is missing on a Chevy, it's doesn't matter that much. But if something's not working right on a Ferrari, it makes a big difference. It's the three percent that makes the difference between good and great. It's a fine line. If you're not there, it's very painful.

For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.

An audience is the most dangerous thing in the world, because they paid, and they're looking at you. And they paid! And there's a lot of them! And they cast a cold eye, because they paid. To be on the stage, you have to be very secure.

By the time I was 7, I did walk-ons, catalogue modeling, you name it. In the Queens where I grew up, you didn't go bowling on Saturday; you went to dancing school.

Can I confess something? I tell you this as an artist, I think you'll understand. Sometimes when I'm driving on the road at night I see two headlights coming toward me. Fast. I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car. I can anticipate the explosion. The sound of shattering glass. The flames rising out of the flowing gasoline.