The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.

In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.

I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there.

I try not to worry about things I can't do anything about.

It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.

I suppose in order to succeed at something you have to be very persistent. I've never done that.

You never forget how to dance. It's just a matter of your bones working and things like that.