I'm very learning-disabled, and I think it drove me to what I'm doing.

There are things about signing on to a process over the long term that protect you from the buffeting winds of change.

I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.

Like any corporation, I have the benefit of the brainpower of everyone who is working for me. It all ends up being my work, the corporate me, but everyone extends ideas and comes up with suggestions.

Far more interesting than problem solving is problem creation.

Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.

I have always attempted to create images that deliver the maximum amount of information about the subject.