When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.

There are things about signing on to a process over the long term that protect you from the buffeting winds of change.

Ive said its a little bit like a magician performing for a convention of magicians... all the magicians in the audience watching this illusion-Do they see the illusion, or do they see the device that made the illusion? Probably they see a little of both.

Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great "art idea."

Never let anyone define what you are capable of by using parameters that don't apply to you. Inspiration is for amateurs, the rest of us just show up and get to work. Every great idea I've ever had grew out of work itself. Sign onto a process and see where it takes you. You don't have to invent the wheel everyday. Today you will do what you did yesterday, tomorrow you will do what you did today. Eventually, you will get somewhere.

Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.

Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.