A face is a road map of someone's life. Without any need to amplify that or draw attention to it, there's a great deal that's communicated about who this person is and what their life experiences have been.

Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.

From my point of view, photography never got any better than it was in 1840.

What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.

I'm plagued with indecision in my life. I can't figure out what to order in a restaurant.

All the best ideas come out of the process; they come out of the work itself. Things occur to you.If you're sitting around trying to dream up a great idea, you can sit there a long time before anything happens.But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction.

It always amazes me that just when I think there's nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium.