You're always looking for somebody to love you, be accepted, and there's the insecurities that are even transmitted through rap. Everyone is trying to aim to please too much. Number one: They're trying to please whoever signed them to a contract. Number two: They're trying to appease a gigantic audience and they get this false magnification of love. I came from a thing which nowadays would be the exception to the rule. I came from a mother and father who always made me secure in my beliefs, and that's where the love came from. Which made me look at everything else as procedure.

I'm envious of the way that electronic dance music has organised itself. It has been able to understand what it ain't rather than what it is. And I think that slipped away from hip-hop as soon as the DJs lost the majority of the say so in the direction of the music.

Downloadable music is the biggest musical phenomenon since the Beatles, and the music industry is slow to come to grips with that.

The minute I get swelled up about something, something has always brought me back down to earth.

Never try to make the same record twice, even when people are screaming for the same sound.

It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.

If you want to speak about different ethnicities and diversity, rap and hip-hop are all over the planet. Every country, from Turkey to Australia, now has tons of hip-hop artists. The music and artistry have moved way faster than the corporatization of the music. You do need organization and opportunity for these artists to express themselves, and I don't think it has to come from a corporate co-signing.