Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."

We don't see the people who are doing real things getting enough props. We often see politicians who are everywhere but nowhere at the same goddamn time. You know the kind of person: You see them everywhere on television but nowhere in front of your face.

Bigger doesn't mean better unless you really understand what bigger is.

I became tired of submitting my art to a panel of corporate strategists who decide if it meets their standard of what gets into stores or not. It was quite simple for me: they act like judge and jury of my art, and that is unacceptable. I wanted to give it right to the public.

I think the Internet was the saving grace for Public Enemy. Before that, travelling the world saved Public Enemy.

Eminem has talent, and his talent is the thing that influences many young people who would have never gone anywhere near rap. White kids in different parts of the world use him as a barometer and the standard to live up to. In some ways, Eminem is an artist who has ushered in a new movement.

Never try to make the same record twice, even when people are screaming for the same sound.