I don't think a lot of people have been privy to understanding that there's this talent in hip-hop all over the earth that's just as good. It's just that everything out of the U.S. proclaims to be the best, especially L.A. and New York, being that they're the nerve centers and media capitals of the most predominantly media-emitting country in the world.

I always remain optimistic.

It's not about what you get out but what you put into hip hop as a genre.

You can actually take your pain and processes it into some kind of form of art. So I mean, I've easily always been able to do that, but also I've always been able to give myself perspective - or, you know, older people always give you perspective.

I think the problem for the future generations is a lot of people ain't takin' the time to look for galvanizing artists and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.

I like Rick Ross as a person. I like Jay-Z and Kanye West as people. But I hate the companies that they record for.

Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.