Never have so many men treated women like our foes. They call 'em hoes, but they might as well call them foes, 'cause you are totally against the existence of somebody who should live their life as an equal human being. If not, any man knows, it's like we're not equal. You know, women are usually a little better than us.

Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.

Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."

I always remain optimistic.

I'm most passionate about, you know, making everybody understand that we should all have equal access on this earth.

Public Enemy started out as a benchmark in rap music in the mid-1980s. We felt there was a need to actually progress the music and say something because we were slightly older than the demographic of rap artists at the time. It was a time of heightened rightwing politics, so the climate dictated the direction of the group.

I know I am judged unfairly by my physical characteristics and ostracized because of that so I say, "Yes, I'm a black man."