I'd rather have a hundred thousand or a million people saying I'm nuts and I'm crazy for my musical choices and what I've said lyrically, than a million people all raising their hand on the first day.

I became tired of submitting my art to a panel of corporate strategists who decide if it meets their standard of what gets into stores or not. It was quite simple for me: they act like judge and jury of my art, and that is unacceptable. I wanted to give it right to the public.

When culture is created in boardrooms with a panel of six or seven strategists for the masses to follow, to me that is no different than an aristocracy. It's not created from the people in the middle of the streets, so to speak. It is created from a petri dish for the sake of making money, and it is undermining the longevity of the culture.

Americans are not sharp. You can be sharp in your own area, I guess, but in this world you gotta be conscious of everybody else in the world too. You just can't be drunken with constitution and hear, okay we're gonna do this and then you hear well, we're gonna go kill this guy 'cause he's a terrorist and you keep gettin' it.

I always remain optimistic. There are three levels of music production: the majors, indies, and what I call "inties," music distributed via the Internet. The Internet is one area that I have used pretty effectively to break free of corporate control.

The biggest thing that has happened to hip-hop is the clinging on to the corporation as the all-mighty hub of the music.

My daughter's 19. I'm not asking her to develop as an artist. I'm just asking her to develop as a full person, human being.