It has always been my belief that people are remembered for the sum of their accomplishments but defined by their singular failure.

Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really “need” anything new, so we only create what we want.

I'd ask people to keep in mind the idea that if you really understand something, it's even more important for you to consider the possibility of your wrongness. Even if it takes someone dumber than you to point that out.

The Sims is an escapist vehicle for people who want to escape to where they already are, which is why I thought this game was made precisely for me.

Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.

I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.

The most wretched people in the world are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.