I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.

Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.

Sometimes I wonder what will be the air conditioning of my dying days. What thing will they add that will make it impossible to be uncomfortable? Because I do assume that as an old person, I will be very comfortable. There will be something - a drug or some way to impact the air around me - that when I relax, I'm gonna feel great. So I do look forward to that.

We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.

The problem a lot of writers have is that they really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.

If I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes.

Every time I learn the truth about something, I’m disappointed