Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.

People who talk about their dreams are actually trying to tell you things about themselves they’d never admit in normal conversation.

And I spilled gravy on my Carolina sweater, because I am alive.

If I'm around spiders, my fear isn't so much the spider, but my fear is that I'm somewhere rustic and that spiders are crawling around. I must be in the woods.

Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?

Prior to the early 20th century, for the totality of humankind's existence if they saw something moving, it meant it was there. If they saw a tiger walking, that meant they were near a live tiger. This was entrenched in our subconscious and our unconscious.Then that drastically changed with film and television.

Different critics go to different lengths to disagree with that sentiment, but ultimately, they're the person experiencing this art, and whatever judgment or taste they use is internal, and says more about them than about the record they're writing about.