It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
Chuck KlostermanIf I knew I was going to die at a specific moment in the future, it would be nice to be able to control what song I was listening to; this is why I always bring my iPod on airplanes.
Chuck KlostermanThe deeper reality is that Iโm not sure if what I do is real. I usually believe that Iโm certain about how I feel, but that seems naive. How do we know how we feel?โฆThere is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. Thereโs probably a third level, tooโhow I want to think I feel.
Chuck KlostermanThe problem a lot of writers have is that they really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.
Chuck Klosterman