I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.

You learn new song until you're comfortable with it to where you can record it blindfolded, but then when it comes out on the record, you forget about those little nuances and those little things that you changed during the recording process. It's those spur-of-the-moment things you do that makes it an entirely new beast that you then again have to relearn.

Man, you learn so much just like with anything else. If you do something long enough, you learn. You make mistakes. You run into roadblocks and barriers. You overcome obstacles. You fall down. I mean you have to fall down to learn to stand up.

It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.

Creating records and writing music with people I admire and respect is a very spiritual and enlightening thing for me.

I love what I'm doing here but I hate being away from home. I hate it. I look forward to one day raising a family myself, and I really look forward to children but when that day comes, I don't want to be an absent dad. I'm already an absent husband.

Well we never set out to write a concept album. I've always used song writing as a therapeutic release so in that process, I just do my best to be honest with myself and look inside myself and whatever comes out usually just reflects or depicts what I'm going through in my life at that time.