There has to be a reason of whether you look right or you bring the emotional or intellectual baggage of what's required for the storytelling. For me, it's not something I've aspired to say, "I'm going to be working in Hollywood."

I float from one project to another project, so you miss people and you don't see them for years.

You get to an age when you lose people close to you.

If all you've got to do is a couple of lines, dear Jesus, don't let them down. Other people are taking responsibility.

In fact, the difference between creative and interpretive, it all starts with the writing. Then if you can get the money together to make the film, then you're in touch with the visuals and the actual creation, and the sound of what you want to mean. Of course, some directors get inspired by what people do anyway. Don't feel the need [to stick to the script]. In fact, they sometimes go "That's not what I had in mind, but that suits the purpose well.".

I know I don't go looking for directors.

We've seen a lot of dirty politics in Ireland. We know from the French, their wonderfully neurotic presidents, that our hands are sort of tied. The Italians - I don't know where it stops. No nation can claim "We are an uncorrupt nation, therefore we will tell you what the morals of democracy are." Because it's going on everywhere.