The boring people are the worst. I think it's obvious, I think people have always had phobias about flying for years even before 9/11 and everything like that. It just taps into that and it taps into who you are going to sit next to on the plane.

And once you're unafraid with death, I think your capacity for violence is immediately increased. Once you're unafraid of death, you are a very, very dangerous adversary

But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.

I think if you play characters, it's very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.

It's obvious that if you're going to play a character you need to amass information about that person and about their environment or their era that they're in and use as little or as much as necessary

I don't care if people perceive me as always selling out because I'm doing a studio picture. For me, the whole thing is you should be diverse in your choices; that's the beauty of being an actor, you should be able to do that.

It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable