But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.

If you behave like a celebrity, then people will treat you like a celebrity, and if you don't, they won't. There's not much to write about me in the tabloids.

I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.

I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.

I really feel actors should try and do as much diverse work as possible to try and keep it interesting.

I like watching film, I go to the cinema, but a lot of times I go to see kids' films.

In terms of trying to improve as an actor, for me it's always important to return to the stage. After doing a piece of theater for a prolonged period, I can think I must have surely improved in some way as an actor - you must be fitter than you were prior to doing it. For me, theater is very, very important in keeping things fresh and dangerous.