But television affords you, what you just described, to - over the course of 18 hours, now that we're doing a third season - tell the story of this man. You're not under any obligation, really, to do massive expositional stuff at the beginning. You're at liberty to say, "Come with us on this journey," and, gradually, you become aware of what his motivations are, what drives him, what his weaknesses are, what his strengths are. That's what I think's sucking people into these worlds, because it is kind of like a novel, you just go really, really deep.

I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.

I don't know if anyone will ever sit beside me on a plane again.

I think if you play characters, it's very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.

I’ve never done a film for the money

You take the job very seriously and between action and cut, that's where your focus should be. And then there's a lot of levity in between and a lot of good fun.

I'm pretty adamant to do an American accent because you get it immediately.