I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.

I think it's necessary to keep moving forward. I've always said that nostalgia is death, really for anyone creative.

I think you fall out of love with theater while you're doing your eighth show of your eighteenth week and your body is saying, "Please make this end."

I have a list as long as my arm but I find those lists sort of self-defeating because you start to name and then after [the interviewer] leaves the room you go 'Ah, I forgot this person or that person.' So I just don't do it anymore. Hopefully if you make work that people like, they'll get in contact with you.

I don't care if people perceive me as always selling out because I'm doing a studio picture. For me, the whole thing is you should be diverse in your choices; that's the beauty of being an actor, you should be able to do that.

There's this thing that's come about that wasn't there when I started acting which is they do this thing called a chemistry test. They put a camera in front of two people, it's usually a boy and a girl, and they go, [whispering]. It's impossible. You can't manufacture it or film it, it just has to happen.

I'm terrible. I'm the wrong person to talk to, I really don't know a thing.