When I do work, I get so much done in such a concentrated time that once I’m through a series, I’m so drained I don’t want to get near the camera.

I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.

I’m really just using the mirror to summon something I don’t even know until I see it.

Dreamers are those who have achieved in love and life, because it is a dream that got them there.

Some people have told me they remember the film that one of my images is derived from, but in fact I had no film in mind at all.

The still must tease with the promise of a story the viewer of it itches to be told.

I am always surprised at all the things people read into my photos, but it also amuse me. That may be because I have nothing specific in mind when I'm working. My intentions are neither feminist nor political. I try to put double or multiple meanings into my photos, which might give rise to a greater variety of interpretations.