My work doesn't have the same rules as, say, Andy [Warhol]'s work. But it's gathered together for the simple reason that we all worked with the images and objects around us.

All the fun is locking horns with impossibilities.

I think the Freudian impulse is in everything, so I just accept it. I don't always believe what Freud is saying but it sounds like fun.

Because my work is naturally non-meaningful, the meaning found in it will remain doubtful and inconsistent - which is the way it should be. All that I care about is that, like any startling piece of nature, it should be capable of stimulating meaning.

I don't do abstract art because I don't find it as interesting as I do subjects and depictions.

I was very happy to be living in New York at that time, more than in the present time. Now it's all commerce.

For a thorough use of ice cream cones, buy two; eat one and drop the other.