All the fun is locking horns with impossibilities.

There's always been a potential erotic possibility with objects.

My work doesn't have the same rules as, say, Andy [Warhol]'s work. But it's gathered together for the simple reason that we all worked with the images and objects around us.

Because my work is naturally non-meaningful, the meaning found in it will remain doubtful and inconsistent - which is the way it should be. All that I care about is that, like any startling piece of nature, it should be capable of stimulating meaning.

Everything I do is completely original-I made it up when I was a kid.

I think the Freudian impulse is in everything, so I just accept it. I don't always believe what Freud is saying but it sounds like fun.

I like food because you can change it. I mean, there is no such thing as a perfect lamb chop; you can make all types of lamb chops. And that's true of everything. And people eat it and it changes and disappears.