Music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by few, and that it alone among all the languages unites the contradictory character of being at once intelligible and untranslatable - these facts make the creator of music a being like the gods.

Since music is the only language with the contradictory attributes of being intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man.

The wise man doesn't give the right answers, he poses the right questions.

Scientific knowledge advances haltingly and is stimulated by contention and doubt.

Language is a form of human reason, which has its internal logic of which man knows nothing.

The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.

Enthusiastic partisans of the idea of progress are in danger of failing to recognize the immense riches accumulated by the human race. By underrating the achievements of the past, they devalue all those which still remain to be accomplished.