Everything changes, even stone.
These landscapes of water and reflection have become an obsession.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
Most people think I paint fast. I paint very slowly.
Nothing in the whole world is of interest to me but my painting and my flowers.
I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot; and that is why I am working on the same motifs over and over again, four or six times even.