The worst injury is feeling you don't belong so much / to you.

If you make a mistake, then you should own that mistake.

You want to belong, you want to be here. In interactions with others you're constantly waiting to see that they recognize that you're a human being. That they can feel your heartbeat and you can feel theirs. And that together you will live - you will live together.

When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.

I was at Yale and I said to the poet Elizabeth Alexander, "I'm interested in the ways in which black health seems precarious in the United States." She introduced me to the term "John Henryism." And then I went back and researched it and understood that, woah, this thing I am thinking about is actually a condition that's named.

The friends I have, and the people whom I admire, are people who have an understanding of the conditions under which we live, and have a humanist sense of the world. If that's lacking in my understanding of a person's negotiation of the world, I can't be close with that person.

I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.