To embody a character, you have to lose all judgment about them.

There is no moment where you can rest and think: 'Wonderful, I have that job now. I'm going to spend five years here.' There's a constant judgment on your work that's very strongly related to what you are.

The more you live, the better an actor you are, but maybe I'd like to do something else on the side. Something to pay the bills as well.

I feel so lucky that I live in a society that lets women be. I think that's the one of the biggest fights to keep having, is to fight for women to have the right to live their life the way they want to live it.

Paris, hours in the café, a certain spirit of rebellion, one side a bit too stubborn, the sea, the true, in Bretagne, the walking in Provence, the taste, the passion for literature, the libraries, the beautiful editions, remaking the world in a set of hours around a table and a bottle of wine. Talking without really saying nothing, just for the pleasure of talking. The museums, the theatres, the elegance, the delicacy, the heritage of the Illustration, a humanistic philosophy. The balance we got between a nordic rigor and a latin savoir-vivre, the insolence and the freedom.

I constantly make fashion mistakes but I think it's good to take risks.

I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.