I just wear jeans, big motorcycle boots and T-shirts that are way too big for me. I like anything that has lived a little bit, that has traces of life on it. Knitwear that's a tiny bit too long because you've pulled it with your hands, or jeans that are starting to get holes.

I've often been told that I'm a bit strange. I hear that pretty regularly, but it is not how I see myself.

I had a grungy period and looked like a tramp for a very long time - my mum really hated it! I destroyed her entire '70s wardrobe by putting studs into everything - I thought I was really cool. But it's good to experiment - I even had dreadlocks at one point.

I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.

I believe a lot in the relationship between performers. When you're supported by someone's eyes, you're not alone.

I used to spend hours at night, downstairs, in front of the only full-length mirror in the house, standing on the table working out what I would wear to school the next day.

Paris, hours in the café, a certain spirit of rebellion, one side a bit too stubborn, the sea, the true, in Bretagne, the walking in Provence, the taste, the passion for literature, the libraries, the beautiful editions, remaking the world in a set of hours around a table and a bottle of wine. Talking without really saying nothing, just for the pleasure of talking. The museums, the theatres, the elegance, the delicacy, the heritage of the Illustration, a humanistic philosophy. The balance we got between a nordic rigor and a latin savoir-vivre, the insolence and the freedom.