Paris, hours in the café, a certain spirit of rebellion, one side a bit too stubborn, the sea, the true, in Bretagne, the walking in Provence, the taste, the passion for literature, the libraries, the beautiful editions, remaking the world in a set of hours around a table and a bottle of wine. Talking without really saying nothing, just for the pleasure of talking. The museums, the theatres, the elegance, the delicacy, the heritage of the Illustration, a humanistic philosophy. The balance we got between a nordic rigor and a latin savoir-vivre, the insolence and the freedom.

There is no moment where you can rest and think: 'Wonderful, I have that job now. I'm going to spend five years here.' There's a constant judgment on your work that's very strongly related to what you are.

To me, performing means trying to do the most you can with the partner in front of you, with the story you're telling. There are actors who have carried me, who have brought me elsewhere or with them.

That's the problem with the Internet: You do a naked scene and then it's taken out of context and put on websites that have nothing to do with film.

I think the people we meet in life and the loves of our lives are very, very important in what we become, like change us - when it's right, probably change us for the best.

Paris is where my family are, but it's not really home now because I have dear friends in London and dear friends in New York.

I just wear jeans, big motorcycle boots and T-shirts that are way too big for me. I like anything that has lived a little bit, that has traces of life on it. Knitwear that's a tiny bit too long because you've pulled it with your hands, or jeans that are starting to get holes.