I want her to be powerful on these covers, and sometimes that's a quiet power and other times it's a more bombastic power. But when you're going to have a book out there that's called Wonder Woman and she's on it, you have a responsibility to put out a certain kind of image.

We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

One of my favorite comics is Love and Rockets by the Hernandez Brothers. They do such a wonderful job of showing you how the character of Maggie ages and really doesn't present that with any kind of judgment.

When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against.

[Paper Girls] needed to have a certain kind of almost neon style to it, but at the same time we wanted also to show the modern perspective that we had.

I've become really aware of all the subtle things you can communicate through the art and how you're presenting a character, particularly someone like Wonder Woman, who means so much to so many people.