I like directors that give their composer a juicy role in their films. Some films have a small, minor role for music, some have a larger role.

The way that I make films is that I sit down and I think, "How much money could I get with less consequences?" And that's how I start. I'd rather have less money and total autonomy than more money and start having to answer to things, because then I'm not being true and the money men are not being true.

There's nothing worse than a director that keeps changing their mind. Because, unlike the directors I work with, I'm not decisive at all.

I live in Topanga Canyon, which is like a faux-rustic enclave in Los Angeles. I love the sounds of all the critters outside - the frogs, owls, crickets, and birds. Some of the birds around here are pretty accomplished musicians. You can learn a lot from them.

I don't like to write any music to a script. Experience has taught me that's generally a waste of time.

I've always been very left of center and the radio never had much diversity and film did.

If I had kids, I don't think I would recommend they pursue a career in music.