It's what people know about themselves inside that makes them afraid.

An awful lot of good movies have gone unrecognized, and an awful lot of bad movies have had tremendous recognition. As long as you keep that in mind, you are never really disappointed.

The main thing is, you just want to have your place in history. You hope that people will look back on it in 15, 20, 30 and beyond years, and say, "That was an exciting film."

I'd say, go ahead, shoot your shot. More power to ya if you can come up with a different angle on the character.

That's why I don't rehearse a lot and why I shoot a lot immediately. I have ideas of where I'd like to take the character, but we both end up going together.

Nobody knows diddly. They just think they do. And the people that think they know the most know the least.

It's hard to tell what will stimulate curiosity nowadays because looking at some of the things that do excite people, you kind of go, "Ohh, OK. So this hasn't a chance." But we made it anyway. I think if people see the picture, they'll find a lot of parallels to today, ever since 9/11 and everything, that kind of fear that's going on in disturbance of the country.