When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.

When you think of a particular director, you think you would have liked to be with them on one particular film and not necessarily on some other one.

If anybody asks me what I attribute the longevity of my career to, then I say it's because I was never satisfied with being a cowboy in the plains of Spain and later I was never satisfied with just playing a detective in San Francisco, and constantly just pushing the envelope.

When you're making a film you start living with it, and I find myself sitting down and figuring out a sound or melody that would go with a film, or a particular period. It's not brain surgery, you just kind of feel it along.

Well, if you're waitin' for a woman to make up her mind, you may have a a long wait.

Being comfortable is over-rated.

Respect your efforts, respect yourself. Self-respect leads to self-discipline. When you have both firmly under your belt, that's real power.