When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.

An awful lot of good movies have gone unrecognized, and an awful lot of bad movies have had tremendous recognition. As long as you keep that in mind, you are never really disappointed.

You have to steal a lot. You have to have a criminal mentality to be a film director.

I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.

This film cost $31 million. With that kind of money I could have invaded some country.

Well, if you're waitin' for a woman to make up her mind, you may have a a long wait.

Abuse of power isn't limited to 'bad guys' in other nations. It happens in our own country. Those in power get jaded, deluded, and seduced by power itself. I have a reverence for individuality. I've always considered myself too individualistic to be either right-wing or left-wing. I like the libertarian view, which is to leave everyone alone. People should be able to be what they want to be and do what they want - as long as they're not harming other people. I am a libertarian.