Whether you like it or not, you're forced to come to the realisation that death is out there. But I don't fear death, I'm a fatalist. I believe when it's your time, that's it. It's the hand you're dealt.

Sometimes if you want to see a change for the better, you have to take things into your own hands.

There's a lot of young guys coming along, but I'd like to say to the various financiers, don't forget the senior guys. The senior guys and gals are there, willing to do their best work for you.

We were dealing with films that had very prominent roles for women and I felt I was actually contributing something. Many people had wondered why I would want to do a film where the best part was a woman's part. But I wasn't afraid to be the lesser intelligence in a film.

The reason I don't retire is that I learn something new every day. The brain has to be exercised the same as the rest of the body. It's about expanding, constantly pushing yourself.

I'd like to be a bigger and more knowledgeable person ten years from now than I am today. I think that for all of us as we grow older, we must discipline ourselves to continue expanding, broadening, learning, keeping our minds active and open.

I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.